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Internet and New Media Studies Bibliography of Books Compiled by Michele White Additions and suggestions are appreciated.
Adam, Alison. Artificial Knowing. Gender and the Thinking Machine. London: Routledge, 1998.
Amelunxen, Hubertus V., ed. Photography after Photography: Memory and Representation in the Digital Age. Amsterdam: G+B Arts, 1996.
Apter, Emily S. Continental Drift: From National Characters to Virtual Subjects. Chicago: University of Chicago Press, 1999.
Balsamo, Anne. Technologies of the Gendered Body. Reading Cyborg Women. Durham, Duke University Press, 1996.
Bardini, Thierry. Bootstrapping: Douglas Engelbart, Coevolution, and the Origins of Personal Computing. Stanford: Stanford University Press, 2000.
Baudrillard, Jean. Simulacra and Simulation, trans. Sheila Faria Glaser. Ann Arbor: The University of Michigan Press, 1994.
Bell, David and Barbara M. Kennedy , eds. The Cybercultures Reader. New York: Routledge, 2000.
Bender, Gretchen and Timothy Druckrey, eds. Culture on the Brink: Ideologies of Technology. Seattle: Bay Press, 1994.
Benedikt, Michael, ed. Cyberspace: First Steps. Cambridge, MA: MIT Press, 1992.
Benjamin, Walter. lIluminations. New York, Harcourt, Brace & World, 1968.
Birringer, Johannes. Media & Performance Along the Border. Baltimore: John Hopkins University Press, 1998.
Branscomb, Anne Wells. Who Owns Information? From Privacy to Public Access. New York: Basic Books, 1994
Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge, MA: MIT Press, 1999.
Brooks, James and Iain A. Boal, eds. Resisting the Virtual Life: The Culture and Politics of Information. San Francisco: City Lights, 1995.
Brundson, Charlotte, Julie D’Acci, and Lynn Spigel, eds. Feminist Television Criticism: A Reader. Oxford: Clarendon Press, 1997.
Bucy , Erik P. , ed. Living in the Information Age: A New Media Reader. Belmont, CA: Wadsworth Thomson Learning, 2002.
Bukatman, Scott. Terminal Identity: The Virtual Subject in Post-Modern Science Fiction. Durham: Duke University Press, 1993.
Campbell, John Edward. Getting It on Online: Cyberspace, Gay Male Sexuality, and Embodied Identity. Binghamton, New York: Harrington Park Press, 2004.
Campbell-Kelly, Martin. From Airline Reservations to Sonic the Hedgehog: A History of the Software Industry. Cambridge, MA: MIT Press, 2003.
Cartwright, Lisa. Screening the Body: Tracing Medicine’s Visual Culture. Minneapolis and London: University of Minnesota Press, 1995.
Cherny, Lynn and Elizabeth Reba Weise, eds. Wired Women: Gender and New Realities in Cyberspace. Seattle: Seal Press, 1996.
Clough, Patricia Ticineto. Autoaffection: Unconscious Thought in the Age of Teletechnology. Minneapolis: University of Minnesota Press, 2000.
Colomina, Beatriz, ed. Sexuality & Space. Princeton: Princeton University Press, 1992.
Cooke, Lynne and Peter Wollen, eds. Visual Display: Culture Beyond Appearances, Seattle: Bay Press, 1995.
Couldry, Nick and Anna McCarthy. MediaSpace: Place, Scale, and Culture in a Media Age. London: Routledge, 2004.
Cowan, Ruth Schwartz. More Work for Mother: The Ironies of Household Technology from the Open Hearth to the Microwave. New York: Basic Books, 1983.
Crang, Mike, Phil Crang, and Jon May, eds. Virtual Geographies: Bodies, Space and Relations. New York: Routledge, 1999.
Danet, Brenda. Cyberpl@y: Communicating Online. Oxford: Berg Publishers, 2001.
Davis-Floyd, Robbie and Joseph Dumit, eds. Cyborg Babies: From Techno-Sex to Techno-Tots. New York : Routledge, 1998.
Darley, Andrew. Visual Digital Culture: Surface Play and Spectacle in New Media Genres. New York: Routledge, 2000.
Debord, Guy. Society of the Spectacle. Detroit: Black & Red, 1983.
Dery, Mark. Escape Velocity: Cyberculture at the end of the Century. New York: Grove Press, 1996
---. Flame Wars: The Discourse of Cyberculture. Durham: Duke University Press, 1994.
Dibbell, Julian. My Tiny Life: Crime and Passion in a Virtual World. New York: Holt, 1998.
Drucker, Susan J. and Gary Gumpert, eds. Real Law@Virtual Space: Communication Regulation in Cyberspace. Cresskill, NJ: Hampton Press, 1999.
Druckrey, Timothy, ed. Electronic Culture: Technology and Visual Representation. New York: Aperture, 1997.
Eco, Umberto. Travels in Hyper Reality. San Diego: Harcourt Brace Jovanovich, 1986.
Elmer, Greg. Profiling Machines: Mapping the Personal Information Economy. Cambridge, MA: MIT Press, 2004.
Elmer, Greg, ed. Critical Perspectives on the Internet. Lanham, MD: Rowman & Littlefield, 2002.
Ess, Charles and Fay Sudweeks, eds. Culture, Technology, Communication: Towards an Intercultural Global Village. Albany: SUNY Press, 2001.
Everett, Anna and John T Caldwell, New Media: Theories and Practices of Digitextuality. London: Routledge, 2003.
Foster, Hal, ed. The Anti-Aesthetic: Essays on Postmodern Culture. Port Townsend, WA: Bay Press, 1983.
Friedberg, Anne. Window Shopping: Cinema and the Postmodern. Berkeley: University of California Press, 1993.
Friedman, James, ed. Reality Squared: Televisual Discourse on the Real. New Brunswick, NJ: Rutgers University Press, 2002.
Gandy, Oscar H. The Panoptic Sort: A Political Economy of Personal Information. Boulder: Westview, 1993.
Gibson, William. Neuromancer. New York: Ace Books, 1984.
Grau, Oliver. Virtual Art: From Illusion to Immersion. Cambridge, MA: MIT Press, 2003.
Gresh, Lois and Robert Weinberg. The Computers of Star Trek. New York: Basic Books, 1999.
Green, Eileen and Alison Adam. Virtual Gender: Technology, Consumption and Identity. New York: Routledge, 2001.
Hafner, Katie. Cyberpunk: Outlaws and Hackers on the Computer Frontier. New York: Simon & Schuster, 1991.
---. Where Wizards Stay Up Late: The Origins of the Internet. New York: Simon & Schuster, 1996.
Hall. Doug and Sally Jo Fifer, eds. Illuminating Video: An Essential Guide to Video Art. New York: Aperture, 1990.
Hanhardt, John. Video Culture: A Critical Investigation. Layton, Utah: Pergerine Smith Books, 1986.
Hansen, Mark B. N. New Philosophy for New Media. Cambridge, MA: MIT Press, 2004.
Haraway, Donna. Modest-Witness@Second-Millennium.FemaleMan-Meets- OncoMouse: Feminism and Technoscience. New York: Routledge, 1997.
---. Simians, Cyborgs, and Women: The Reinvention of Nature. New York: Routledge, 1991.
Harcourt, Wendy, ed. Women@Internet: Creating New Cultures in Cyberspace. London: Zed Books, 1999.
Harries, Dan, ed. The New Media Book. New York: Routledge, 2002.
Hayles, N. Katherine. How We Became Posthuman: Virtual Bodies in Cybernetics, Literature, and Informatics. Chicago: University of Chicago Press, 1999.
---. Writing Machines. Cambridge, MA: MIT Press, 2002.
Henwood, Flis, Helen Kennedy, and Nod Miller, eds. Cyborg Lives: Women's Technobiographies. York: Raw Nerve Books, 2001.
Herman, Andrew and Thomas Swiss, eds. The World Wide Web and Contemporary Cultural Theory. New York: Routledge, 2000.
Hillis, Ken. Digital Sensations: Space, Identity, and Embodiment in Virtual Reality. Minneapolis: University of Minnesota Press, 1999.
Hine, Christine. Virtual Ethnography. London: Sage, 2000.
Holtzman, Steven. Digital Mosaics: The Aesthetics of Cyberspace. New York: Simon & Schuster, 1998.
Howard, Philip N and Steve Jones, eds. Society Online: The Internet in Context. Thousand Oaks, CA: Sage, 2004.
Ihde, Don. Bodies in Technology. Minneapolis: University of Minnesota Press, 2001.
Jenkins, Henry. Textual Poachers: Television Fans & Participatory Culture. New York: Routledge, 1992.
Jenkins, Henry, Tara McPherson, and Jane Shattuc, eds. Hop on Pop: The Politics and Pleasures of Popular Culture. Durham, NC: Duke University Press, 2002.
Johnson, Steve. Interface Culture: How New Technology Transforms the Way We Create and Communicate. San Francisco: HarperEdge, 1997.
Jones, Caroline A. Machine in the Studio: Constructing the Postwar American Artist. Chicago: University of Chicago Press, 1996.
Jones, Steven G, ed. CyberSociety: Computer-Mediated Communication and Community, Thousand Oaks, CA: Sage Publications, 1995.
--- , ed. CyberSociety 2.0: Revisiting Computer-mediated Communication and Community. Thousand Oaks, Calif. : Sage Publications, 1998.
Katz, James E. and Mark Aakhus, eds. Perpetual Contact: Mobile Communication, Private Talk, Public Performance. Cambridge: Cambridge University Press, 2002.
Kember, Sarah. Virtual Anxiety: Photography, New Technologies and Subjectivity. Manchester: Manchester University Press, 1998.
Kinder, Marsha, ed. Kids' Media Culture. Durham: Duke University Press, 1999.
Kirkup, Gill, ed. The Gendered Cyborg: A Reader. London: Routledge, 2000.
Kline, Stephen and Nick Dyer-Witheford. Digital Play: The Interaction of Technology , Culture, and Marketing. Montreal and Ithaca: McGill-Queen's University Press, 2003.
Kolko, Beth, Lisa Nakamura, and Gilbert Rodman, eds. Race in Cyberspace. New York: Routledge, 2000.
Kroker, Arthur and Marilouise Kroker, eds. Digital Delirium. New York: St. Martin’s Press, 1997.
Kuhn, Annette, ed. Alien Zone: Cultural Theory and Contemporary Science Fiction. London: Verso, 1990.
Landow, George P. Hypertext 2.0. Baltimore: Johns Hopkins University Press, 1997.
Laurel, Brenda. Computers as Theatre. Reading, Mass. : Addison-Wesley Pub. Co., 1993.
Levin, Thomas Y. , Ursula Frohne, and Peter Weibel, eds. CTRL [SPACE]: Rhetorics of Surveillance from Bentham to Big Brother. Cambridge, MA: MIT Press, 2002.
Lister, Martin, ed. The Photographic Image in Digital Culture, ed. Martin Lister. New York: Routledge, 1995.
Lunenfeld, Peter, ed. The Digital Dialectic: New Essays on New Media. Cambridge, MA: MIT Press, 1999.
Lyon, David. The Electronic Eye: The Rise of Surveillance Society. Minneapolis: University of Minnesota Press, 1994.
---. Surveillance as Social Sorting: Privacy, Risk, and Digital Discrimination. London and New York: Routledge, 2003.
Malloy, Judy. Women, Art, and Technology. Cambridge, MA: MIT Press, 2003.
Manovich, Lev. The Language of New Media. Cambridge, MA: MIT Press, 2000.
Markham, Annette N. Life Online: Researching Real Experience in Virtual Space. Walnut Creek, CA: AltaMira Press, 1998.
McLuhan, Marshall. The Gutenberg Galaxy; The Making of Typographic Man. Toronto: University of Toronto Press, 1962.
---. Understanding Media: The Extensions of Man. New York: McGraw Hill, 1964.
Mellencamp, Patricia, ed. Logics of Television: Essays in Cultural Criticism, ed. Bloomington: Indiana University Press, 1990.
Mitchell, William J. City of Bits: Space, Place, and the Infobahn. Cambridge, Mass. : MIT Press, 1995.
---. The Reconfigured Eye: Visual Truth in the Post-photographic Era. Cambridge, Mass. : MIT Press, 1992.
Morse, Margaret. Virtualities: Television, Media Art, and Cyberculture. Bloomington: Indiana University Press, 1998.
Moser, Mary Anne and Douglas MacLeod. Immersed in Technology: Art and Virtual Environments. Cambridge, Mass. : MIT Press, 1996.
Munt, Sally R. ed. Technospaces: Inside the New Media. New York: Continuum, 2001.
Murray, Janet. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. New York: The Free Press, 1997.
Nakamura, Lisa. Cybertypes: Race, Ethnicity, and Identity on the Internet. New York: Routledge, 2002.
Nelson, Alondra, ed. Technicolor: Race, Technology, and Everyday Life. New York: New York University Press, 2001.
Nissenbaum, Helen and Monroe E. Price. Academy & the Internet. New York: Peter Lang, 2004.
Nye, David E. Narratives and Spaces: Technology and the Construction of American Culture. New York: Columbia University Press, 1997.
Penley, Constance, ed. Close Encounters: Film, Feminism, and Science Fiction. Minneapolis: University of Minnesota Press, 1991.
Penley, Constance and Andrew Ross, eds. Technoculture. Minneapolis: University of Minnesota Press, 1991.
Penny, Simon. Critical Issues in Electronic Media. Albany: State University of New York Press, 1995.
Plant, Sadie, Zeros + Ones: Digital Women + The New Technoculture. New York : Doubleday, 1997.
Poster, Mark. What’s the Matter with the Internet? Minneapolis: University of Minnesota Press, 2001.
Rieser, Martin and Andrea Zapp. New Screen Media: Cinema/Art/Narrative. London: BFI, 2002.
Robins, Kevin. Into the Image: Culture and Politics in the Field of Vision. New York and London: Routledge, 1996.
Robins, Kevin and Frank Webster. Times of the Technoculture: From the Information Society to the Virtual Life. New York: Routledge, 1999.
Ryan, Marie-Laure, ed. Cyberspace Textuality: Computer Technology & Literary Theory. Bloomington: Indiana University Press, 1999.
Scott, Melissa. Dreamships. Alexandria, VA: TOR Books, 1993.
Shade, Leslie Regan. Gender & Community in the Social Construction of the Internet. New York: Peter Lang Publishing, 2002.
Seiter, Ellen. Television and New Media Audiences. Oxford: Clarendon Press, 1999.
Seltzer, Mark. Bodies and Machines. New York: Routledge, 1992.
Smith, Greg M. On A Silver Platter: CD-ROMs and the Promises of New Technology. New York: New York University Press, 1999.
Sobchack, Vivian. Screening Space: The American Science Fiction Film. New York: Ungar, 1987.
Spigel, Lynn and Michael Curtin. The Revolution Wasn’t Televised: Sixties Television and Social Conflict. New York: Routledge, 1997.
Stephenson, Neal. Snow Crash. New York: Bantam Books, 1993.
Sterling, Bruce. Holy Fire: A Novel. New York: Bantam Books, 1996.
Sunden, Jenny. Material Virtualities: Approaching Online Textual Embodiment. New York : Peter Lang, 2003.
Swiss, Thomas, ed. Unspun: Key Concepts for Understanding the World Wide Web. New York: NYU Press, 2000.
Tepper, Sheri. S. Beauty. New York: Bantam, 1991.
---. The Gate to Women’s Country. New York: Bantam, 1989.
Thurtle, Phillip and Robert Mitchell. Semiotic Flesh: Information and the Human Body. Seattle: University of Washington Press, 2002.
Treichler, Paula, Lisa Cartwright, and Constance Penley, eds. The Visible Woman: Imaging Technologies, Gender, and Science. New York and London: New York University Press, 1998.
Tsagarousianou, Roza, Damian Tambini, and Cathy Bryan, eds. Cyberdemocracy: Technology, Cities and Civic Networks. London and New York: Routledge, 1998.
Turkle, Sherry. Life on the Screen: Identity in the Age of the Internet. New York: Simon & Schuster, 1995.
Virilio, Paul. Open Sky. London: Verso, 1997.
---. War and Cinema: The Logistics of Perception. London and New York: Verso, 1989.
Walker, John and Sarah Chaplin. Visual Culture: An Introduction. Manchester: Manchester University Press, 1997.
Wardrip-Fruin, Noah and Nick Montfort, eds. The New Media Reader. Cambridge, MA: MIT Press, 2003.
Warnick, Barbara. Critical Literacy in a Digital Era: Technology, Rhetoric, and the Public Interest. Mahwah, NJ: Lawrence Erlbaum Associates, 2002.
Weibel, Peter and Timothy Druckrey , ed. Net_Condition: Art and Global Media. Cambridge, MA: MIT Press, 2001.
Williams, Raymond. Television: Technology and Cultural Form. New York: Schocken Books, 1975.
Wilson, Stephen. Information Arts: Intersections of Art, Science, and Technology. Cambridge, MA: MIT Press, 2003.
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